For 9-year-old Topher Cundith, Pinocchio may get into trouble a lot when he first comes to life, but it’s because he’s curious rather than bad.
When Pina Bausch and her Tanztheater Wuppertal brought “Kontakthof” to the Brooklyn Academy of Music in 1985, it was already seven years old. But New York audiences didn’t care; they were still getting to know Bausch and her choreography.
It’s four hours long, takes place on a grass stage and caused a sensation at Sadler’s Wells when it first came. As 1980 returns to London, three members of Tanztheater Wuppertal talk about how it feels to perform the groundbreaking production
Forty-five minutes of 3 1/2-year-olds in tap shoes may sound like a recipe for a throbbing headache, but Courtney Runft manages to keep the noise under control. That’s because for the first few months of her pre-tap class at the American Tap Dance Foundation, students wear sneakers.
4 performances from Mendelssohn’s “Elijah”…being performed at the Lied